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I don't have many critiques to make, apart from the fact that the image is a bit blurred from the waist downwards and that her left leg is maybe too lighted, confronted to the rest of the softened light (and for the title IN the shadows, as well). But I love her position and expression. -- "Your Orwellian language notwithstanding- it's a fucking machine. It's a tool." -- I'm an admin for #theWrittenRevolution . The words are the spark. |
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July 15
173 KB 87.2 KB 600×874 StatisticsCamera Data
Canon
Canon EOS DIGITAL REBEL XTi 1/125 second F/4.5 44 mm 200 Jun 28, 2009, 3:48:59 PM Share
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Critiques
Her eyes, backgroud all are perfect...
A bit too much light on her knee...
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Your Critique will be sent to the artist for review before appearing on this Deviation page. It will be published immediately on your profile page and your +watchers will be notified.
Your Critique will be sent to the artist for review before appearing on this Deviation page. It will be published immediately on your profile page and your +watchers will be notified.
Mutluluk yetinmektir...!
soft ligthting, so effectively used, leaves very little in shadows.
This leads to one point of criticism.
The positioning of the model is very strong from the waist up.
The image is sharp and the torso, slightly leaning forward, does suggest a "coming out of" the shadows. From the waist down,the image is "perhaps intentionally, a bit blured. It is also a little over exposed on the upper theigh. These two things distract from the excellence of the upper torso.
My suggestion is to tilt the model just a fraction more towards the camera so that the effect of her "coming out of the frame" exagerated a bit more and the same repositioning lowers her hemline just enough to make softening the image at her pelvis unnecessary for the sake of censorship.
Hope this helps!
JS
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